Tag Archives: George Martin

Early gems from the quiet Beatle



Tucked away in the Blu-Ray/DVD Deluxe Edition of Martin Scorcese’s Living In The Material World, a biopic on Beatle George Harrison, is a 10-track CD made up of acoustic renderings and some early takes of Harrison songs, some of which run through the feature film.

George Harrison Early Takes VolThe collection has also been released as a single CD or on vinyl, and is appropriately titled Early Takes Volume 1. The 1 teases at possible subsequent releases in what is presumed to be a series. That’s not guaranteed but has been indicated by Harrison’s widow, Olivia.

This set is nothing short of wonderful. A nice glimpse into George’s world, where he is in the early stages of getting songs down on tape, either purely with acoustic guitar and vocal or with a small backing band. Some of these tunes are so familiar to the Harrison fan that the many instrumental parts we’re all familiar with on songs such as My Sweet Lord, Awaiting On You All and All Things Must Pass, for instance, run through your mind in the background even while listening to the demo versions.

But it’s nice to hear the songs in their raw state. The listener gets a greater appreciation for the singer and the song. And in some cases those bombastic Phil Spector-produced tracks are improved upon in a more primal form.

There are some delightful covers as well, one of Bob Dylan’s Mama You’ve Been On My Mind and the classic early ’60s Everly Brothers ballad Let It Be Me. On Let It Be Me, Harrison delivers simple acoustic guitar accompaniment to his lead and harmony vocal tracks. One of the few times, if ever, Harrison sang a harmony part to himself on tape. The effect is beautiful on this gorgeous melody.

The only other listed musician on the album in Jonathan Clyde on mouth harp for the bluesy Harrison original Woman Don’t You Cry For Me from his solo album 33 1/3. Continue reading Early gems from the quiet Beatle

Beatles remastered: Help! & Rubber Soul




The Beatles remastered catalogue on CD has arrived. I decided to start listening with two albums that were originally released back-to-back in 1965, Help! and Rubber Soul.

beatles-helpThese two also are the only ones with three versions released over the various formats of the series. Both are available in stereo and can be purchased individually or as part of The Beatles Stereo box set. Those versions are the 1987 re-mixes by producer George Martin, the same mix as the original CD releases from the late ’80s but of course remastered.

The albums are also included in The Beatles in Mono box, each disc of which includes a mono mix, only available if you purchase this mono set, and the original 1965 stereo mixes remastered, the first time those mixes have been available on CD.

I also have the 1987 CDs of these titles. So, I was able to compare all four versions.

Why were these two albums remixed in 1987 by George Martin? Good question. He said back in 1987, after being completely overlooked by EMI on The Beatles first four albums of that remastering campaign, that these two albums along with Revolver sounded “woolly” and he wound up not changing anything but “hardening” the sound up.

He applied digital echo in the mixing process as opposed to the original echo chamber at Abbey Road from the ’60s and cut down a little of the background noise. But that really simplifies it. Check this link  for an interview with Martin in 1987 in which he gives a more detailed reasoning of the process. It can be quite illuminating.

In fact, the differences in the stereo mixes are quite subtle, but the differences in the new remastering applied are significant. But let’s start with the mono versions. Continue reading Beatles remastered: Help! & Rubber Soul

The Beatles remastered




As reported earlier this spring, The Beatles catalogue on CD has been remastered for the first time since the 1980s and will be released on 9/9/09. Hmm. No. 9, No. 9, No. 9. In another coincidence of marketing strategy, a new Rock Band video game version featuring The Beatles will be released on the same day.

beatles-please-please-meFor details about the project, including specific mastering techniques, as well as a wealth of other information on The Beatles, check out Beatles-History.net.

As I often react to these type of announcements, I was rather resistant to yet another wave of remastering by a major act, particularly since the results of these re-releases has been mixed at best in the past 10 years. Many audiophiles and purists are now claiming the original CD releases — you know the ones we sold, traded in or in some cases some collectors threw out! — actually sound better than the remastered ones because they came from better sources.

Add to this that I, for one, believe the original Beatles CDs from the 1980s, sound rather good. When first released I was a bit miffed that all the early albums were mastered in mono, since I grew up with the stereo versions no matter how retched they were. Continue reading The Beatles remastered