Tag Archives: Jason Rebello

Three for 2010: Chieftains, Farnham & Beck



In the first half of the year, I’ve been listening to three CDs quite a bit, all beautifully executed but quite different from one another. They are easily three of the best records from the first six months of 2010 and three you should give a listen.

Chieftains San PatricioThe Chieftains’ San Patricio gives a featured billing to Ry Cooder, an occasional collaborator with the Irish group who writes, plays, sings, produces and arranges on this unusual yet intriguing mix of Celtic and Mexican music based on a fictionalized version of the story of Irish soldiers fighting with the Mexican army.

San Patricio is somewhat reminiscent of Santiago, another Chieftains’ effort from 1996 on which they blended Celtic sensibilities with Galician music from northwest Spain.

The group showed the direct link between the two musical heritages while including collaborators Cooder, Linda Ronstadt and Los Lobos, among many others.

The music on San Patricio is joyous, celebratory, heartfelt, forboding and ultimately upbeat and forward moving. The highlights are many, including the opener La Iguana with sensuous vocalist Lila Downs, who also appears on El Relampago; Ronstadt’s tender La Orilla de Un Palmar; the Cooder compositions The Sands Of Mexico and Cancion Mixteca (Intro) along with the song proper by Jose Lopez Alavez; March To Battle (Across The Rio Grande), which features a narration by Liam Neeson; and traditional numbers that feature Los Folkloristas and Los Camperos deValles.

It’s all a rich tapestry of the blending of these two musical styles that share so much in common.

The Irish soldiers, led by Captain John Riley during the war with Mexico (1846-48) were discriminated against and treated brutally by the American troops. So much so they defected to join a people with whom they had much more in common.

Although the thread of story on this record is entirely fictitious, there is no doubt music must have been a big part of the Irish soldiers’ experience as it is imbued so deeply in both cultures. A wonderfully realized example of what we now call World Music but is simply an inspiring work under any title. Continue reading Three for 2010: Chieftains, Farnham & Beck

Jeff Beck gives Tal a hand




Back in April, I wrote about a remarkable concert given by Jeff Beck and his group at the MGM Grand at Foxwoods in Connecticut.

One of the sequences of the show that was absolutely startling was a solo taken by Tal Wilkenfeld, a 23-year-old bassist from Australia who looks no more than about 17, during which Beck takes off his guitar, walks over to the bass player and proceeds to accompany her by playing on just the E and A strings of her bass.

This video, produced by an astute videographer at the Fillmore at Irving Plaza in New York gig the night before I saw Beck at Foxwoods, shows the duet. They play it fast and loose, having a lot of fun with it as they did at the Grand. Her virtuosity is overwhelming for someone so young. Just a treat to watch.

Can you pick out the melody and changes Tal plays at the end of the solo?

Seeing Beck play is believing



So many times, directors just get it wrong when making a concert film. Too many quick cuts, MTV-style editing, no focus on the performers, annoying special effects. It’s not only in recent years either. The effects problem started way back when Tony Palmer documented Cream playing its Farewell concert at Royal Albert Hall in 1968.

jeff-beck-ronnies-1It’s a pleasure to note that the film makers of Jeff Beck Performing This Week … Live At Ronnie Scott’s got it right. So right it’s one of the best concert films in recent memory. The last with this type of professionalism and dedication to the music and musicians was another Cream gig, the reunion concert from 2005, also at RAH. But the Beck show is better.

The intimate atmosphere of one of the world’s great jazz clubs, Ronnie Scott’s in London, the tightknit performance by Beck’s group on a small stage, the immediacy of the audience, complete with rock celebs such as Robert Plant and Jimmy Page, all contribute to this excellent video document of the same performance released on Beck’s CD version of the show late last year.

The DVD has all of the CD performances, plus five numbers with guests Joss Stone, Imogen Heap and Eric Clapton. Most important, the DVD reveals much of what Jeff Beck is all about. The camera work is stellar in capturing his unique guitar playing style and technique, often zooming in on his hands, which are an endless source of fascination. Continue reading Seeing Beck play is believing