Tag Archives: Jim Morrison

Three on DVD: The Doors, The Stones & The Runaways



I’ve watched quite a few films and videos about The Doors, from various collections to concert footage to Oliver Stone’s twisted yet fascinating motion picture. And I’ve read a number of books from ones written by Jon Densmore to Ray Manzarek to Jerry Hopkins and Danny Sugarman to the much-maligned Patricia Kennealy.

The Doors When You're Strange DVD LargeAll this and I wasn’t really a Doors fan during their heyday although I came to appreciate them fairly early on and have warmed much more to their music in the past couple of decades.

So it was with some trepidation that I approached When You’re Strange, a new documentary by director Tom DiCillo, narrated by Johnny Depp. Shown at Sundance earlier this year, the doc was recently released on DVD and Blu-Ray.

Most interesting is the reliance on only footage of The Doors, some never seen, rather than the well-worn technique of talking head interviews with people related to the project now commenting on what happened then. For that, it brings us a fresh approach on a well-traveled topic.

But the film has some obvious shortcomings. The narration delivered in a dry, matter-of-fact tone by Depp, is very basic. There is virtually nothing there for fans of the group who have followed, read and watched most that has come before. It’s really geared toward people just discovering the group.

Worse, the film glosses over some rather important aspects of The Doors story. For instance, almost no time is devoted to the album Morrison Hotel, which was really The Doors comeback album of sorts after Soft Parade. Though the latter enjoyed some commercial success, it critically received a mixed reaction. Morrison Hotel was a back-to-roots record that resonated with their fan base. But here it’s given one or two sentences before launching into L.A. Woman, their last record.

Also glossed over, Morrison’s relationship with Kennealy, which most of the other Doors evidently were almost totally unaware. But it’s clear although Morrison always returned to his common-law wife Pam Courson, there is definitely something to the story of his pagan bride Kennealy and until that is fully explored a big part of the picture is missing. Continue reading Three on DVD: The Doors, The Stones & The Runaways

Vulture sighting




Them Crooked Vultures is a very heavy band. Not heavy as in heavy metal, heavy as in heavy hard rock.

Them Crooked Vultures Album CoverFeaturing three hard rock virtuosos in Led Zeppelin bassist John Paul Jones, Dave Grohl, from Foo Fighters, who switches from guitar back to drums, his spot in Nirvana, and Josh Homme of Queens Of The Stone Age on guitar and lead vocals, the group exhibits a competency and energy rarely found in the genre today.

Their self-titled debut album consists of songs that are virtually all guitar riff driven over a furious and powerful rhythm section, adorned with dark, devilish, often impenetrable (sometimes penetrable) lyrics. With titles such as No One Loves Me & Neither Do I, Dead End Friends, Reptiles, Warsaw Or The First Breath You Take After You Give Up and Caligulove, it’s hard to imagine anything else.

The grinding, churning rhythm section not only shows how adept Grohl is back on the drums, but also gives a strong indication of Jones’ contribution to Zeppelin, which was often lost or overlooked during that band’s heyday.

Homme is fully capable of handling the vocal and lead guitar duties, although they did add a second guitarist, Alain Johannes, on their recent Saturday Night Live appearance, during which they played Mind Eraser, No Chaser, a tune that might be termed their most accessible or commercial to crossover audiences, although nothing on the album really falls entirely in that vein, and New Fang, the group’s first single, with its complicated guitar rhythm over which Homme sings a completely different melodic structure, something always to take note of.

The group hits a three-song streak in the middle of their the album that is really quite brilliant in Elephants, Scumbag Blues and Bandoliers. In fact, by the fifth track, Elephants, the listener starts to realize how much Homme can sound like Jim Morrison. And this likens the overall sound of the band to The Doors as a power trio, minus Ray Manzarek’s keyboards. Continue reading Vulture sighting

Concerts Vol. 8: The Doors




In the spring of 1968 I was studying at Berklee School of Music in Boston and going back to Connecticut on weekends to rehearse and play out on the club circuit with Pulse.

jim-morrison-live-1-smallI lived on upper Commonwealth Avenue, not far from the dorm I had lived in when I was at Boston University, with two female roommates: Julie and Betty. They had a small two-room apartment. When you entered there was a living room to the right, a bedroom to the left and a small kitchen and bath in the center of the apartment.

Although Love Me Two Times by The Doors was a song I liked and that Pulse had covered in some of its early gigs in the beginning of 1968, I was not really a Doors fan. Our singer, Carl Donnell (Augusto) was though and he convinced us to put the interesting take on a blues shuffle tune in our set.

Carl recently told me how Peter Neri and I came to him with a Cream album and turned him on to the English blues-rock group, but was disheartened when he brought the first Doors album to a rehersal and we were pretty much indifferent to it. That raised a laugh. Continue reading Concerts Vol. 8: The Doors