Tag Archives: Wolfgang’s Vault

Jackie and Ry at The Ash Grove




As I’ve mentioned a few times in the past year I’m an avid fan of Wolfgang’s Vault.

jackie-deshannon-early-with-guitar-smallThe site never ceases to surprise me by unearthing rare, interesting and previously unavailable concerts from its vast treasure hold.

This one is truly an unexpected delight, Jackie DeShannon and Ry Cooder playing as an acoustic duo at the legendary Ash Grove in Los Angeles on September 3, 1963, long before either had achieved any type of widespread notoriety. DeShannon was 19 at the time and although she had released a string of singles, it was before her opening stint on the first Beatles tour of the U.S. in 1964 and her first hits, Needles & Pins and When You Walk In The Room.

ry-cooder-youngI’ve come to really love her earthy, soulful and gospel-inspired vocals from this era of her career. As for Cooder, he’s 16, yet still shows an amazing virtuosity on acoustic guitar. One of the great players of our time.

Despite being a fan of both artists, I never knew this show existed on tape or that these two made any type of collaboration during this period, which is what makes the Vault such a valuable resource and an unending source of enjoyment. Below is a track from the show. The concert can be accessed here.

To listen to the entire show, you’ll need to register at the site, which is an easy process and free.

Over at Wolfgang’s



Wolfgang’s Vault just posted two must-listen-to concerts: Delaney & Bonnie and Friends from a February, 1970 date at the Fillmore West and Derek and the Dominoes  later that same year at the Fillmore East.

delaney-bonnie-portrait-1The Delaney & Bonnie show features an all-star band with Eric Clapton, who sings I Don’t Know Why from his first solo album, along with Leon Russell, piano, Jim Price, trumpet, Jim Horn and Bobby Keys, sax, now with the Stones, Rita Coolidge on background vocals and future Dominoes Carl Radle, bass, Bobby Whitlock, keyboards, and Jim Gordon, drums.

The set list is a good one with Things Get Better, Will The Circle Be Unbroken, the Robert Johnson tribute Poor Elijah and closer Coming Home, among 10 songs.

The Dominoes gig has many of the band’s staples — Got To Get Better In A Little While, Key To The Highway, Tell The Truth — and material from Clapton’s solo album such as Blues Power, Let It Rain as well as a little Hendrix and Blind Faith.

Both worth checking out.

Wolfie, Wolfie!




wolfieOne of the best music sites I’ve bumped into this year has to be Wolfgang’s Vault. If you love live music and you haven’t checked it out, you should. Once you’ve registered on the site, you have access to an amazing array of concerts by major and lesser-known artists. It’s a tremendous resource, easy to use and best of all, it’s free.

The content consists of concerts never committed to CD, some coming from syndicated radio shows such as King Biscuit Flower Hour. It streams effortlessly to your computer, the sound is generally excellent and you can even buy some concerts for about $10 if you so choose, the going rate of an ITunes album. There is also a well-written description of what you’re hearing with insight into the particular concert and some background on the artist, along with a detailed personnel listing.

I recently clicked on a Karla Bonoff concert at the Bottom Line in New York, forgetting that I have a friend that played in her band for a while. When I read the synopsis, he was listed there in the band lineup. For the uninitiated, she wrote some of Linda Ronstadt’s biggest hits.

Artists range from The Doors to Jimi Hendrix, Van Morrison to James Taylor, Dylan to Miles, Jean Luc-Ponty to Larry Coryell, Ronstadt to Emmylou Harris, the Stones and on and on. It’s ridiculous. And it’s really wonderful.

I would guess they are paying some licensing fees as it’s been around for a while and doesn’t appear to be in danger of being shut down. You receive an e-mail update sometimes daily on what is new. They appear to add about 25 concerts a week. Go there and listen to some good, and often rare, performances.