The 10 best for ‘09
by Paul Rosano on Dec.22, 2009, under Music
Last year I picked five albums I considered the best of the year. This time I’m upping it to 10 with a few bubbling under and some added tidbits.
1. Already Free, The Derek Trucks Band: Traditional blues with modern sensibilities and influences from jazz, roots and world music, all played by an array of accomplished musicians and one of the best slide players of our time.
2. The Deep End, Christine Ohlman and Rebel Montez: Stellar songwriting, impassioned vocals and infectious grooves highlight Ohlman’s fifth album, which also features an impressive roster of guests. Her best yet.
3. Electric Dirt, Levon Helm: On this electrified followup to his comeback album Dirt Farmer, Helm blends traditional roots music with elements of folk, blues, soul and gospel. The mix of new original material and classic covers works perfectly. The arrangements are clean and to the point and musicianship impeccable.
4. Middle Cyclone, Neko Case: A wonderful concoction of folk, rock, country and pop interlaced with enigmatic lyrics and penetrating melodies. All topped with Case’s crystal clear voice.
5. All In One, Bebel Gilberto: Her best since Tanta Tempo in 2000, this work is alive with beautiful songwriting and Gilberto’s gorgeous, hushed, cool vocals. Aided by her pals Carlhinos Brown and Didi Gutman among others.
6. Soul On Ten, Robben Ford: A ripping, rocking live set with two live-in-the-studio cuts, filled with Ford’s interesting blues-based originals, some classic covers and his unique take on blues, rock and jazz playing.
7. The List, Rosanne Cash: A love letter to her father Johnny and her audience, giving back songs from his list of 100 that he gave to his teen-age daughter. Arrangements and execution by Cash and husband John Levanthal are enthralling. (continue reading…)
From The Vaults: Hidden Treasures 6 & 7
by Paul Rosano on Nov.18, 2009, under Music
Back in the late 1980s, I remember seeing an ad in the back of a jazz magazine, either a Downbeat or Jazziz, for an album with four guitarists with Workshop in the title. It was a small, innocous one-column, black-and-white display on the rail of one of the pages.
What I recall that stuck in my head was that Buzzy Feiten, from Full Moon and the Larsen-Feiten Band, along with Jeff ‘Skunk’ Baxter, who had played with Steely Dan in that group’s early days, were on the album. At that time, I was never able to track the record down, which was on JVC, a company known more for its electronic innovations in stereo and TV equipment than producing records.
At the dawn of the Internet whenever I recalled the album, I tried searching for it with no luck. One problem was I couldn’t remember the title exactly. But in recent years, after probably doing a search on Feiten or Baxter, I came across this Hidden Treasure, Guitar Workshop In L.A., which also includes Teddy Castellucci and James Harrah, two other well-known and respected session players.
The record turned out to be pretty much what I expected, a guitar workout with two tracks apiece for each player, then all four joining in on the two closing tunes. It’s a feast for lovers of funky and bluesy jazz-rock who can’t get enough melodic, tasty and proficient guitar playing from four outstanding soloists, all of whom work mostly on the West Coast but who also have East Coast roots. Count me in.
The added bonus is that is was recorded live to two-track by David Garfield and Alan Hirshberg, something that never fails to amaze me since the musicians capture the spontaneity of the moment while executing demanding charts with few if any flaws.
You’ll notice two Treasures are indicated in the headline. The second is a companion piece to Workshop of sorts, a live recording from Montreux, Switzerland at the 1982 Jazz Festival called Casino Lights, which includes a plethora of ace musicians, including Feiten, his frequent collaborator keyboardist Neil Larsen, as well as guitarists Larry Carlton and Robben Ford, alto sax player David Sanborn, singers Al Jarreau and Randy Crawford, vibes man Mike Manieri and Yellowjackets.
It’s a mixed bag, all in a similar jazz-rock style combining L.A. and East Coast influences, all performed beautifully and caught live. Having two Larsen, Feiten tracks is worth the price of admission for me but if that’s not enough to entice you, rest assured the rest of the album is well worth the modest investment. (continue reading…)
From The Vaults: Hidden Treasure No. 5
by Paul Rosano on Oct.14, 2009, under Music
I saw guitarist Robben Ford play with Joni Mitchell during the Miles Of Aisles Tour at Woolsey Hall in New Haven in the mid-1970s. I’ve followed his career since, but not until the late ’80s did I start to take a closer look.
Even then, I wasn’t familiar with everything he released. In the past few years I’ve become more acquainted with his various projects and finally had a chance to see him live at the Infinity Music Hall in Norfolk, Connecticut, in August.
Still, it wasn’t until relatively recently I found that along with his major label releases he also put out a couple of tributes to one of my favorite musicians, Paul Butterfield, on an independent label in the early 2000s with the Ford Blues Band, which includes two of his brothers, Patrick and Mark.
Ford like many other young players who started playing in the mid-1960s was influenced greatly by seeing the Butterfield Band when they played on the West Coast, including at the Fillmore West. It was the same here in the East with musicians I knew and worked with. Butterfield was one of the major influences on my band Pulse in the late ’60s.
Tributes are sometimes a hit-and-miss proposition. When I finally had a chance to listen to A Tribute To Paul Butterfield (2001), though, I was pleased that Robben and The Ford Blues Band had stayed faithful to the material they had chosen but also brought something new to it that makes it as fresh, vital and relevant as it was in the mid-to-late 1960s. It’s our fifth Hidden Treasure.
One of the things that makes this tribute work so well is the choice of material, which hits all of the various phases and the evolution of the Butterfield Band, with tracks from Butter’s six best albums. (continue reading…)
Under The Radar, No. 2: Neil Larsen
by Paul Rosano on Oct.01, 2009, under Music
In 1978, keyboardist/composer Neil Larsen released his first solo album, a touchstone in the fusion genre. Jungle Fever, entirely instrumental, displayed a perfect blend of jazz, rock, funk and Latin influences used in combination with innovative and interesting compositions and some brilliant musicianship, which included his longtime partner Buzz Feiten on guitar.
Larsen and Feiten had first teamed on the seminal jazz-blues-soul album Full Moon in 1972, a modest hit on the charts but highly influential. Likewise Jungle Fever did well enough on first release but wasn’t a chartbuster by any means. Still, it made a lasting impression on the music scene.
He followed it with a similar collection on High Gear (1979), almost as artistically successful, then enjoyed genuine chart success with Feiten in the Larsen-Feiten Band (1980) and a reprise of Full Moon (1982) featuring the two. Both Larsen-Feiten albums brought pop into the mix along with Larsen’s usual influences and crossed over to the Billboard 100. During the 1980s, he became an influential and very much in-demand studio musician.
The list of artists he has worked with is daunting. You can find it here in notes for his latest album Orbit, released in 2007. This list of musicians ranges from Gregg Allman and The Allman Brothers to George Benson, Cher, Commander Cody, Dr. John, George Harrison, Rickie Lee Jones, Randy Newman, The Stones and many, many more. This past year, he has been playing with Leonard Cohen on the folk singer’s worldwide tour.
But there is no Neil Larsen web site per se and although you can find him in Wikipedia, there is no page dedicated to him. Despite his influential status in the music community and accomplished playing and composing, he simply is not well known to the public in general.
I have Jungle Fever and High Gear on vinyl. Jungle Fever has been available on CD for a while as an import but at prohibitively high prices, so I transferred my vinyl to CD, using a deck connected to my stereo system not my computer, to excellent effect. High Gear is destined for the same treatment. (continue reading…)
Ford updates the blues tradition
by Paul Rosano on Aug.17, 2009, under Music
Acclaimed guitarist Robben Ford has an affinity with the Paul Butterfield Blues Band of the mid-1960s that featured the duo guitar lineup of Elvin Bishop and Mike Bloomfield. I can relate to that.
That was one of Ford’s earliest influences and he has kept that foundation of blues and blues-rock alive in his music, combining it with jazz sensibilities to form his own brand of fusion. Throughout his career, he’s played with many diverse, high-caliber musicians from Joni Mitchell to Miles Davis, and Ford’s varied skills have been consistently on display as a solo performer since the late 1980s.
At the Infinity Music Hall in Norfolk, Connecticut Sunday night he devoted a large portion of his approximately 80-minute set to his latest album Soul On Ten, released last week. All but three of the album’s 10 tracks were recorded live at The Independent in San Francisco. The rest were recorded live in the studio.
Ford, a multiple Grammy winner in the blues genre, is a virtuoso who has embraced recording his latest offering live with no overdubs because he and his band are fully capable of producing perfectly executed tracks in a single take that capture the spirit and feel of a live performance, something that is so often lacking in layered studio recordings. (continue reading…)
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