Tag Archives: Hal David

Johnny Cash’s list for Rosanne




I had a taste of The List when I saw Rosanne Cash in concert this past July at the Infinity Music Hall in Norfolk, Connecticut.

rosanne-cash-the-list-lpShe performed six selections that night from the album released in September of songs chosen from a list put together by her father Johnny Cash as a musical education for his teen-age daughter in 1973.

The songs on The List are pure country, pure American music as Rosanne puts it, and she brings her special vocal interpretations to them along with wonderful arrangements by her husband John Leventhal, who plays just about all the instruments except for drums.

She also has some special guests in Bruce Springsteen, Elvis Costello, Jeff Tweedy and Rufus Wainwright, who put a harmony to Cash’s lead on one song each. The result is an album that started as an education for Rosanne but is now one for the listening audience.

Miss The Mississippi And You, written by William Heagney, is a surprising opener for the album because it’s so unlike anything else on it. It’s the only song arranged with a swing jazz feel, melancholy but light in comparison with much of the subsequent fare. What it shares with the other selections is Leventhal’s basic, pared-down and meticulous arrangement that sees him interweaving guitars and other instruments, as he does on all the tracks.

The traditional Motherless Children is a smouldering, slow-burning house on fire, using beautiful substitution chords with intricate interplay of guitars, mandolin and Larry Campbell’s fiddle, topped with Cash’s expressive vocal. Leventhal takes the first lead in a traditional country style easily riding the rhythm, then closes with a full-bore, hard-edged guitar tone on the tag. The track is a highlight of the album. Continue reading Johnny Cash’s list for Rosanne

A Jackie DeShannon quartet




More than a decade before the singer-songwriter era of the early 1970s, Jackie DeShannon was interpreting other writers’ songs and writing hit records of her own.

jackie-deshannon-first-albumShe came clearly into the public conscience after her recording of Jack Nitzsche and Sonny Bono’s Needles and Pins in 1963 and followed it with her own When You Walk In The Room. In 1964, both songs became hits for the English band The Searchers.

But DeShannon had been recording since the late 1950s and she would continue with a string of eclectic albums on Imperial, a subsidiary of Liberty Records, throughout the ’60s, which would include a couple of world-wide hits.

Running through all her changes in style was a pure, proficient and pleasing voice that held a tinge of country and gospel from her background and was perfectly suited for pop and rock music.

Collectors’ Choice Music has just released remastered versions of four of DeShannon’s albums spanning a period from her self-titled folk album of 1963, seeing its debut on CD, to 1968’s Me About You coupled with Set Me Free (1970) on a two-fer and on to 1975’s New Arrangement, which yielded the Grammy Hall of Fame song Bette Davis Eyes, a major hit for Kim Carnes six years later. Continue reading A Jackie DeShannon quartet