Tag Archives: Ian Hunter

Best of 2012



There’s so much good new music out there. The best music of 2012:

1. Radio Music Society, Esperanza Spalding: Invigorating blend of R&B, funk and jazz infused with top-shelf musicianship and an enticing lyrical quality. This is perhaps her best yet. Spalding sports a fluid, proficient and pleasing voice that delivers her poignant lyricism over the engaging compositions. Get the Deluxe Edition with a Making of DVD.

2. Locked Down, Dr. John: Black Keys guitarist Dan Auerbach gets an inspiration to record with the N’Awlins legend and they whip up a spooky, funky, voodoo dose of swamp funk mixed with hard rock sensibilities. Some of the best from recent vintage of the good Doctor.

3. Tramp, Sharon Van Etten: One of the truly remarkable and original sounding records from a singer/songwriter whose dense, penetrating lyrics are revealed through inventive arrangements that complement her songwriting.

4. Sunken Condos, Donald Fagen: At his wry, funky, satirical and stinging best. Glossed with a Steely Dan sheen but it still swings like mad.

5. Everybody’s Talkin’, Tedeschi-Trucks Band: Live outing from one of the best ensembles around today. A beautiful combination of blues, rock and pop whipped together with Derek Trucks’ slide lacing through it and the marvelous Susan Tedeschi’s soulful, blazing voice on top. Not to be missed live.

6. Sun, Cat Power: Return of the elusive, mercurial and magnetic singer/songwriter. Her best since The Greatest.

 7. Election Special, Ry Cooder: Venerable American music stylist gives his biting political take on the present state of affairs with his usual entertaining, insightful views served with a helping of exquisite string playing.

8. Driving Towards The Daylight, Joe Bonamassa: Another edition in the evolving style and development of one of our best modern-day blues guitarists, who happens to have a soulful voice as well.

 9. The Lion, The Beast, The Beat, Grace Potter & The Nocturnals: From the opening strains of the remarkable title track through another set of inspired rock and pop, a step forward and upward from this New England-based group. Their roots are firmly planted in the fertile ground of the 1960s and early ’70s. All framing Potter’s gloriously wild and unrestrained voice.

10. Blues Funeral, Mark Lanegan: Love him for his various collaborations over the years, not the least with Isobel Campbell, but there is something dark and compelling about this bluesy and funereal outing that is addicting. Continue reading Best of 2012

Return of the Beehive Queen




Christine Ohlman hasn’t really been away. In the past five years, she has continued to work with her band Rebel Montez and as a singer for the Saturday Night Live Band, and released the retrospective Re-Hive last year.

the_deep_end_coverBut The Deep End, released this month, is her first record of new material since Strip in 2004. It is certainly worth the wait. A collection of bluesy and soul-infused rockers and ballads with emotional, heartfelt lyrics of love and loss, The Deep End is Ohlman’s most complete and accomplished work.

The album benefits from an impressive cast of guests who each add something special. Al Anderson plays guitar on two tunes, including the title track, Dion, Ian Hunter and Marshall Crenshaw each sing duet vocals with Chris, and Levon Helm, G.E. Smith, Eric “Roscoe” Ambel, Catherine Russell, Paul Ossola and Andy York, guitarist from the John Mellencamp Band who also produces with Chris, are among the many contributors.

Chris and her band will debut the album at Cafe Nine in New Haven on Saturday, Nov. 14.

Chris sets the scene on the opener, There Ain’t No Cure, a gritty, infectious rocking track that features York on lead guitar and Hunter adding a duet vocal. The title track, one of Ohlman’s best compositions, follows with its Latin feel in the verse, interesting melodic twists in the chorus and telling lyrics that speak of loss, something Chris has endured in these past five years losing her mate and producer Doc Cavalier and longtime guitarist and collaborator Eric Fletcher. Anderson provides the lead work on the track in his signature country-blues style.

All the uptempo material is a delight. The grooves are deep and the playing exemplary. Ohlman is in fine form vocally throughout, bringing her unique soulful delivery that ranges from smooth as glass to rough and raspy. Among them — Love Make You Do Stupid Things, driven by Ambel’s chord-flavored lead style, the country-rock feel of Love You Right, again with Anderson, Bring It With You When You Come, which sees Rebel Montez guitarist Cliff Goodwin take a fiery, spitting solo, and Born To Be Together, on which Goodwin is again featured this time playing off the melody through what sounds like a Leslie speaker — are all highlights. Continue reading Return of the Beehive Queen

The Beehive Queen




I’ve known Chris Ohlman for more than 40 years, but unfortunately have only seen her perform a handful of times. And some of those were when we were on the same bill in different groups at charity events.

cohlman-w-colbath-smallI caught The Beehive Queen and her remarkable band Rebel Montez Saturday night at Cafe Nine, a tiny club that might hold 200, in New Haven, Connecticut. Chris showed why she is one of the state’s legendary R&B/soul singers as I watched her play the first of two 90-minute sets that included original tunes from each of her five albums and a number of meticulously chosen covers that not only put her vast talents on full display but also carried a sense of blues and soul history.

One of the first groups Chris sang with in the late ’60s was called Fancy, which included her brother Vic Steffens and was based out of Wallingford, CT at Syncron Studios, later Trod Nossel, managed by Doc Cavalier.  In the ’70s, she fronted the ultra popular and ultra hot regional act The Scratch Band, which also featured G.E. Smith, later a leader of the Saturday Night Live Band, and bassist Paul Ossola, also with SNL. Chris as well has been a singer with the SNL Band since the early ’90s. Continue reading The Beehive Queen