It’s rare that I get a chance to see an artist more than once in a calendar year. It happened last night. I drove down to New London to see The Derek Trucks Band at the Garde Arts Center, a theater built in the ’20s, saved by the townspeople in the ’80s from becoming an open lot, and that is today completely restored and thriving.
I last saw the band at the start of their tour to promote the latest dTb album, Already Free, back in February at the Waterbury Palace. That was an impressive show. I was familar with the group’s recordings in the studio at the time but hadn’t seen them live and it certainly was an eye opener. Simply put, dTb is one of the best bands out on the road today, Trucks is quickly becoming acknowledged as one of our finest guitarists, and along with Doyle Bramhall III probably the best practitioner of slide.
Seeing them again allowed me a closer look, not only because I was physically closer, about ninth row center, than in Waterbury, but also having seen them once I could focus in on various parts of the band while not being overwhelmed by the first experience of it.
For instance, I had a much bigger appreciation of bassist Todd Smallie this time. He was obscured in Waterbury from where I was and his sound not particularly distinct. I could see and hear him much better in New London and he showed himself to be a monster player at times, particularly on his solo spot that was a swinging, funky extended piece that played off the rhythm of Kofi Burbridge’s organ and took off into proficient flights in the higher register of the instrument.
I also noticed Mike Mattison has to be one of the most underutilized lead singers in rock and blues. It appears he’s not on stage for nearly half the set. Of course, that’s because dTb has always been an instrumental band first. It’s not a knock but he seemed absent more than at the first show. Continue reading Derek Trucks at the Garde
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