The final music disc in Neil Young’s DVD Archive Box Set deals with the time surrounding the release of Harvest, his most successful album commercially. This is the record that inspired Young’s famous — or perhaps infamous — quote after the record’s success about him deciding to musically stay in the middle of the road or drive into a ditch.
By Young’s account he drove into the ditch and stayed away from the mainstream. That might be a little overstated. He’s had artistic and commercial successes since during his long and buoyant career and some were planted firmly in the mainstream.
But it is arguable if Harvest was really a mainstream record per se. It was if you’re only measure is commercial success. But in any era or in fact any time frame, Harvest is a perfect album at a perfect time, a synthesis of accessible songs combined with artistically uncompromising ones, ranging from acoustic and electric country-rock to hard rocking fare that struck at the right moment of the singer-songwriter era of the early 1970s.
The disc includes songs from Harvest, inexplicably not all of them, and a bit more musically. It also contains the most video content of the entire set — at least in my searching — either hidden on the Timeline or tucked neatly under the main menu of songs in the Video Log. And it’s all very interesting and fascinating. Continue reading Neil Young’s North Country
If you pre-ordered the set, you also received another previously released concert on DVD/CD, Sugar Mountain Live At the Canterbury House 1968, which I wrote about back in December in 
Disc 1 in the 10-disc set, which I have in DVD format, is titled Early Years (1966-68) and is dedicated to the mid-to-late ’60s group that many of its fans lament over for its short tenure on the rock scene, about two years.
I have a dedicated SACD/DVD player connected to my stereo and that’s where I have listened to it the most, although I’ve played it through one of my computers to access the visuals available while songs are playing, hidden tracks and other goodies that you can only see with a monitor.
But I figured I would wind up buying it at some point anyways because it covers what I find the most interesting aspect of Young’s career, 1963-1972, and it seems that recently the best prices you can find on new releases are available before they are released. Although I have noticed the prices going down a little on the CD and Blu-Ray sets since I ordered.