Tag Archives: pyschedelic rock

Pulse: My Old Boy



My Old Boy is the B-side of a single from the Pulse album from 1969. The tune is interesting because it’s quite different from anything else on the album.

The album is heavily blues-rock oriented and most of the tracks are in the four-to-five minute range with some longer. But this track, which was written by our drummer Beau Segal and Harvey Thurott, a guitarist and friend who would become a member of the four-piece Pulse in 1970, shows another side of the band and is packed with just about everything you can fit into 2 minutes, 36 seconds.

I always believed the opening track of the album, Too Much Lovin’ was the single to pull from it. The A-side actually turned out to be a track I felt was even less commercial than either of these songs, my own Another Woman.

Beau may have been trying to write a single with My Old Boy. He failed miserably and instead created a whirlwind of a track that never lets up from its infectious opening rhythm guitar riff to the phased (old fashioned phasing) harmony vocals and relentless melody lines in the verses and bridge.

There’s some outstanding guitar playing by Peter Neri, although some of it is, if not buried, sitting in the background, and the arrangement overall is inspired with a lot of tight twists and turns.

I believe we played this tune live but not that often, and I’m pretty sure that live Peter used to alternate lines in the verse on the lead vocal with our singer Carl Donnell because of the breathless melody.

Mastered from vinyl. Listen for the crackles.

Concerts Vol. 13: Jimi Hendrix



By the fall of 1968, I had seen Cream four times, another of my favorite artists The Paul Butterfield Band five times, The Electric Flag with Mike Bloomfield, Traffic, The Stones, The Beach Boys, among a host of other artists, but I had yet to see Jimi Hendrix.

Jim Hendrix at Woolsey Hall, Yale, Nov. 1968. Photo by Joe Sela. Courtesy of Wolfgang's Vault.
Jim Hendrix at Woolsey Hall, Yale, Nov. 1968. Photo by Joe Sela. Courtesy of Wolfgang’s Vault.

Two members of the Bram Rigg Set, Peter Neri and Rich Bednarzyk along with the group’s road manager Mike Geremia had met Hendrix on the street in Greenwich Village in the summer of ’67. The three had ventured into the city after the first night of a weekend engagement in Brewster, N.Y. The group’s drummer, Beau Segal, and I had driven back home after the gig and our lead singer Bobby Schlosser had also opted for his long trek back to Rhode Island.

The boys had run into Hendrix at about 3 a.m. on Bleecker Street I believe opposite the Cafe Au Go Go and he was affable, friendly and wished them well.

Beau got to see The Jimi Hendrix Experience by accident that same year in the fall. He traveled into the city to the Cafe Au Go Go to see a show billed as Eric Burdon and The New Animals and found when he arrived that The Experience had replaced them on the bill. Nice surprise. And, of course, Beau raved about them.

Hendrix was still a bit of an unknown quantity at the time here in the States as opposed to the United Kingdom, where he was a sensation with a string of single releases and his first album.

Notwithstanding the bizarre ads in Billboard during the summer that showed the three Afro-adorned musicians on the inside cover of the industry magazine and the buzz in musicians’ circles, the album Are You Experienced? had just been released and there was no single from it running up the charts. It was probably getting the majority of its play on the new FM radio stations, particularly the college stations, which were just starting to play what became known as Album Rock programming.

When I had played the first track of the album for guys in my dorm at Boston University in Sept. 1967, before I transferred to Berklee School of Music, some of them thought there was something wrong with their record players. True. Those same guys would come to love Hendrix in a few months. Continue reading Concerts Vol. 13: Jimi Hendrix