In the fall when I purchased tickets for the Grace Potter and the Nocturnals show at the Infinity Music Hall this past Wednesday (Jan. 20), I really didn’t know too much about either Potter or her band.
I was looking for a show so we could go back to one of our favorite venues in Connecticut. The come-on promo at Infinity’s web site is what inticed me, plus the timing was right, the night and so forth.
After getting the tix, I explored the Net a bit and found a number of videos of the band, although I didn’t know at the time the band would be slightly reconfigured when the date came around. I was impressed. I found Potter obviously has a set of prodigious pipes, and although still fairly young, 27, has been playing for a quite a while — the band was formed in 2002 —and evidently has been touring relentlessly.
Her range is striking as she effortlessly hits stratospheric notes and although her voice has its own special quality and character, there are moments when she recalls Janis Joplin in phrasing and inflection, only with a smoother, more proficient delivery and attack than Joplin ever exhibited.
The music is blues- and soul-based rock with elements of country, reggae and American roots music at times. The band is strong throughout, but this is definitely a unit whose whole is greater than the sum of its parts, meaning they gel beautifully as a group. And, of course, they have an extraordinary frontwoman/singer, who plays a lot of Hammond B-3 and some guitar throughout the night.
No question Potter is what makes this outfit special. She writes interesting blues-drenched tunes with direct, quirky and glib lyrics. I was basically hearing everything for the first time, but I didn’t note a clinker of a tune in either of the two sets the band played.
The setlist and photos come from fans who are evidently much more familiar with the group than I and there is the feeling from them that this night was one that started cool and finished hot. It appeared from here that the set started hot, cooled in places and then was taken up a level during their return for the second set. Though many of the songs were memorable even at first listen and built on fiery, infectious grooves, I can’t think of one that was better than the opener, I’ve Got The Medicine That Everybody Wants. (Check out the video below from July, 2009). The only tune that felt out of place and curious was the cover of Take My Breath Away from the movie Top Gun, not because Potter didn’t sing it wonderfully, but it’s simply not much of a song. Continue reading Grace Potter comes out at night
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