In 1978, keyboardist/composer Neil Larsen released his first solo album, a touchstone in the fusion genre. Jungle Fever, entirely instrumental, displayed a perfect blend of jazz, rock, funk and Latin influences used in combination with innovative and interesting compositions and some brilliant musicianship, which included his longtime partner Buzz Feiten on guitar.
Larsen and Feiten had first teamed on the seminal jazz-blues-soul album Full Moon in 1972, a modest hit on the charts but highly influential. Likewise Jungle Fever did well enough on first release but wasn’t a chartbuster by any means. Still, it made a lasting impression on the music scene.
He followed it with a similar collection on High Gear (1979), almost as artistically successful, then enjoyed genuine chart success with Feiten in the Larsen-Feiten Band (1980) and a reprise of Full Moon (1982) featuring the two. Both Larsen-Feiten albums brought pop into the mix along with Larsen’s usual influences and crossed over to the Billboard 100. During the 1980s, he became an influential and very much in-demand studio musician.
The list of artists he has worked with is daunting. You can find it here in notes for his latest album Orbit, released in 2007. This list of musicians ranges from Gregg Allman and The Allman Brothers to George Benson, Cher, Commander Cody, Dr. John, George Harrison, Rickie Lee Jones, Randy Newman, The Stones and many, many more. This past year, he has been playing with Leonard Cohen on the folk singer’s worldwide tour.
But there is no Neil Larsen web site per se and although you can find him in Wikipedia, there is no page dedicated to him. Despite his influential status in the music community and accomplished playing and composing, he simply is not well known to the public in general.
I have Jungle Fever and High Gear on vinyl. Jungle Fever has been available on CD for a while as an import but at prohibitively high prices, so I transferred my vinyl to CD, using a deck connected to my stereo system not my computer, to excellent effect. High Gear is destined for the same treatment. Continue reading Under The Radar, No. 2: Neil Larsen
The second time was in the spring of 1969 at the improbable club in New Haven, the Stone Balloon, fashioned after Greenwich’s Village’s 
An interesting hard-edged, lyrically dark album, Horehound combines elements of Zeppelin-inspired hard rock with modern takes on alternative and blues themes. The group is at its best when Alison Mosshart, of The Kills, takes lead vocal duties as she does on nine of the 11 tracks.
That was one of Ford’s earliest influences and he has kept that foundation of blues and blues-rock alive in his music, combining it with jazz sensibilities to form his own brand of fusion. Throughout his career, he’s played with many diverse, high-caliber musicians from Joni Mitchell to Miles Davis, and Ford’s varied skills have been consistently on display as a solo performer since the late 1980s.
It’s understandable of course. Both have had successful careers in their own right, particularly Raitt, whose career exploded in the late 1980s and early ’90s with not only chart success but also a plethora of somewhat unexpected Grammy Awards.
His voice had changed somewhat but the trademark quality that graced so many of The Band’s signature tunes was intact with a slightly raspier flavor.
He rarely plays in the States but Taylor was scheduled to be at four venues in or near Connecticut: Toad’s Place in New Haven, Black-Eyed Sally’s in Hartford, the Iron Horse Music Hall in Northampton, Mass., or if you wanted to drive a little further, Misquamicut Beach in Westerly, R.I.
I caught The Beehive Queen and her remarkable band Rebel Montez Saturday night at Cafe Nine, a tiny club that might hold 200, in New Haven, Connecticut. Chris showed why she is one of the state’s legendary R&B/soul singers as I watched her play the first of two 90-minute sets that included original tunes from each of her five albums and a number of meticulously chosen covers that not only put her vast talents on full display but also carried a sense of blues and soul history.
For the uninitiated, Rockpalast is a long-running German TV show that started in the early 1970s and broadcasts live concerts. Many performances from those shows by scores of artists have been officially released or generally available over the years.